She asked no questions, but she took the most extraordinary things for granted. Fleda felt this still more at the end of a couple of days. On the second of these our young lady wrote to Owen; her emotion had to a certain degree cleared itself—there was something she could say briefly. If she had given everything to Mrs. Gereth and as yet got nothing, so she had on the other hand quickly reacted—it took but a night—against the discouragement of her first check. Her desire to serve him was too passionate, the sense that he counted upon her too sweet: these things caught her up again and gave her a new patience and a new subtlety. It shouldn't really be for nothing that she had given so much; deep within her burned again the resolve to get something back. So what she wrote to Owen was simply that she had had a great scene with his mother, but that he must be patient and give her time. It was difficult, as they both had expected, but she was working her hardest for him. She had made an impression—she would do everything to follow it up. Meanwhile he must keep intensely quiet and take no other steps; he must only trust her and pray for her and believe in her perfect loyalty. She made no allusion whatever to Mona's attitude, nor to his not being, as regarded that young lady, master of the situation; but she said in a postscript, in reference to his mother, "Of course she wonders a good deal why your marriage doesn't take place." After the letter had gone she regretted having used the word "loyalty;" there were two or three milder terms which she might as well have employed. The answer she immediately received from Owen was a little note of which she met all the deficiencies by describing it to herself as pathetically simple, but which, to prove that Mrs. Gereth might ask as many questions as she liked, she at once made his mother read. He had no art with his pen, he had not even a good hand, and his letter, a short profession of friendly confidence, consisted of but a few familiar and colorless words of acknowledgment and assent. The gist of it was that he would certainly, since Miss Vetch recommended it, not hurry mamma too much. He would not for the present cause her to be approached by any one else, but he would nevertheless continue to hope that she would see she must come round. "Of course, you know," he added, "she can't keep me waiting indefinitely. Please give her my love and tell her that. If it can be done peaceably I know you're just the one to do it." Mrs. Gereth confessed to the fact of danger with a cynicism that surprised the girl. "By calculating, by choosing my time. I was quiet, and I was quick. I manœuvred; then at the last rushed!" Fleda drew a long breath: she saw in the poor woman something much better than sophistical ease, a crude elation that was a comparatively simple state to deal with. Her elation, it was true, was not so much from what she had done as from the way she had done it—by as brilliant a stroke as any commemorated in the annals of crime. "I succeeded because I had thought it all out and left nothing to chance: the whole process was organized in advance, so that the mere carrying it into effect took but a few hours. It was largely a matter of money: oh, I was horribly extravagant—I had to turn on so many people. But they were all to be had—a little army of workers, the packers, the porters, the helpers of every sort, the men with the mighty vans. It was a question of arranging in Tottenham Court Road and of paying the price. I haven't paid it yet; there'll be a horrid bill; but at least the thing's done! Expedition pure and simple was the essence of the bargain. 'I can give you two days,' I said; 'I can't give you another second.' They undertook the job, and the two days saw them through. The people came down on a Tuesday morning; they were off on the Thursday. I admit that some of them worked all Wednesday night. I had thought it all out; I stood over them; I showed them how. Yes, I coaxed them, I made love to them. Oh, I was inspired—they found me wonderful. I neither ate nor slept, but I was as calm as I am now. I didn't know what was in me; it was worth finding out. I'm very remarkable, my dear: I lifted tons with my own arms. I'm tired, very, very tired; but there's neither a scratch nor a nick, there isn't a teacup missing." Magnificent both in her exhaustion and in her triumph, Mrs. Gereth sank on the sofa again, the sweep of her eyes a rich synthesis and the restless friction of her hands a clear betrayal. "Upon my word," she laughed, "they really look better here!"!

When the two girls had gone in to breakfast it was for Fleda to see at a glance that there had been a further passage, of some high color, between Owen and his mother; and she had turned pale in guessing to what extremity, at her expense, Mrs. Gereth had found occasion to proceed. Hadn't she, after her clumsy flight, been pressed upon Owen in still clearer terms? Mrs. Gereth would practically have said to him: "If you'll take her, I'll move away without a sound. But if you take any one else, any one I'm not sure of, as I am of her—heaven help me, I'll fight to the death!" Breakfast, this morning, at Poynton, had been a meal singularly silent, in spite of the vague little cries with which Mrs. Brigstock turned up the underside of plates and the knowing but alarming raps administered by her big knuckles to porcelain cups. Some one had to respond to her, and the duty assigned itself to Fleda, who, while pretending to meet her on the ground of explanation, wondered what Owen thought of a girl still indelicately anxious, after she had been grossly hurled at him, to prove by exhibitions of her fine taste that she was really what his mother pretended. This time, at any rate, their fate was sealed: Owen, as soon as he should get out of the house, would describe to Mona that lady's extraordinary conduct, and if anything more had been wanted to "fetch" Mona, as he would call it, the deficiency was now made up. Mrs. Gereth in fact took care of that—took care of it by the way, at the last, on the threshold, she said to the younger of her departing guests, with an irony of which the sting was wholly in the sense, not at all in the sound: "We haven't had the talk we might have had, have we? You'll feel that I've neglected you, and you'll treasure it up against me. Don't, because really, you know, it has been quite an accident, and I've all sorts of information at your disposal. If you should come down again (only you won't, ever,—I feel that!) I should give you plenty of time to worry it out of me. Indeed there are some things I should quite insist on your learning; not permit you at all, in any settled way, not to learn. Yes indeed, you'd put me through, and I should put you, my dear! We should have each other to reckon with, and you would see me as I really am. I'm not a bit the vague, mooning, easy creature I dare say you think. However, if you won't come, you won't; n'en parlons plus. It is stupid here after what you're accustomed to. We can only, all round, do what we can, eh? For heaven's sake, don't let your mother forget her precious publication, the female magazine, with the what-do-you-call-'em?—the grease-catchers. There!" Fleda had fully recognized, the first days, that, quite apart from any question of letting Owen know where she was, it would be a charity to give him some sign: it would be weak, it would be ugly, to be diverted from that kindness by the fact that Mrs. Gereth had attached a tinkling bell to it. A frank relation with him was only superficially discredited: she ought for his own sake to send him a word of cheer. So she repeatedly reasoned, but she as repeatedly delayed performance: if her general plan had been to be as still as a mouse, an interview like the interview at Ricks would be an odd contribution to that ideal. Therefore with a confused preference of practice to theory she let the days go by; she felt that nothing was so imperative as the gain of precious time. She shouldn't be able to stay with her father forever, but she might now reap the benefit of having married her sister. Maggie's union had been built up round a small spare room. Concealed in this apartment she might try to paint again, and abetted by the grateful Maggie—for Maggie at least was grateful—she might try to dispose of her work. She had not indeed struggled with a brush since her visit to Waterbath, where the sight of the family splotches had put her immensely on her guard. Poynton moreover had been an impossible place for producing; no active art could flourish there but a Buddhistic contemplation. It had stripped its mistress clean of all feeble accomplishments; her hands were imbrued neither with ink nor with water-color. Close to Fleda's present abode was the little shop of a man who mounted and framed pictures and desolately dealt in artists' materials. She sometimes paused before it to look at a couple of shy experiments for which its dull window constituted publicity, small studies placed there for sale and full of warning to a young lady without fortune and without talent. Some such young lady had brought them forth in sorrow; some such young lady, to see if they had been snapped up, had passed and repassed as helplessly as she herself was doing. They never had been, they never would be, snapped up; yet they were quite above the actual attainment of some other young ladies. It was a matter of discipline with Fleda to take an occasional lesson from them; besides which, when she now quitted the house, she had to look for reasons after she was out. The only place to find them was in the shop-windows. They made her feel like a servant-girl taking her "afternoon," but that didn't signify: perhaps some day she would resemble such a person still more closely. This continued a fortnight, at the end of which the feeling was suddenly dissipated. She had stopped as usual in the presence of the little pictures; then, as she turned away, she had found herself face to face with Owen Gereth.

"I want you, inexpressibly, to have, as a remembrance, something of mine—something of real value. Something from Poynton is what I mean and what I should prefer. You know everything there, and far better than I what's best and what isn't. There are a lot of differences, but aren't some of the smaller things the most remarkable? I mean for judges, and for what they'd bring. What I want you to take from me, and to choose for yourself, is the thing in the whole house that's most beautiful and precious. I mean the 'gem of the collection,' don't you know? If it happens to be of such a sort that you can take immediate possession of it—carry it right away with you—so much the better. You're to have it on the spot, whatever it is. I humbly beg of you to go down there and see. The people have complete instructions: they'll act for you in every possible way and put the whole place at your service. There's a thing mamma used to call the Maltese cross and that I think I've heard her say is very wonderful. Is that the gem of the collection? Perhaps you would take it, or anything equally convenient. Only I do want you awfully to let it be the very pick of the place. Let me feel that I can trust you for this. You won't refuse if you will think a little what it must be that makes me ask." "Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's really a comfort to be able to say it." She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity, her proneness to be rendered unhappy by the presence of the dreadful. Her passion for the exquisite was the cause of this, but it was a passion she considered that she never advertised nor gloried in, contenting herself with letting it regulate her steps and show quietly in her life, remembering at all times that there are few things more soundless than a deep devotion. She was therefore struck with the acuteness of the little girl who had already put a finger on her hidden spring. What was dreadful now, what was horrible, was the intimate ugliness of Waterbath, and it was of that phenomenon these ladies talked while they sat in the shade and drew refreshment from the great tranquil sky, from which no blue saucers were suspended. It was an ugliness fundamental and systematic, the result of the abnormal nature of the Brigstocks, from whose composition the principle of taste had been extravagantly omitted. In the arrangement of their home some other principle, remarkably active, but uncanny and obscure, had operated instead, with consequences depressing to behold, consequences that took the form of a universal futility. The house was bad in all conscience, but it might have passed if they had only let it alone. This saving mercy was beyond them; they had smothered it with trumpery ornament and scrapbook art, with strange excrescences and bunchy draperies, with gimcracks that might have been keepsakes for maid-servants and nondescript conveniences that might have been prizes for the blind. They had gone wildly astray over carpets and curtains; they had an infallible instinct for disaster, and were so cruelly doom-ridden that it rendered them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to mention, caused her face to burn, and each of the new friends confided to the other that in her own apartment she had given way to tears. There was in the elder lady's a set of comic water-colors, a family joke by a family genius, and in the younger's a souvenir from some centennial or other Exhibition, that they shudderingly alluded to. The house was perversely full of souvenirs of places even more ugly than itself and of things it would have been a pious duty to forget. The worst horror was the acres of varnish, something advertised and smelly, with which everything was smeared; it was Fleda Vetch's conviction that the application of it, by their own hands and hilariously shoving each other, was the amusement of the Brigstocks on rainy days. "You'll all the same come abroad with me?"